Do Writers Touch-type Like Secretaries?
Proving that Ernest and I have, or had, one thing in common, that's the way I write. I begin by reading a story from the first word, then add something to it. End of comparison between Hemingway and Ol' Stodg.
But about writers who are touch typists. Do they actually bang out copy at sixty words a minute? Do their brains work that fast? In my prime, my brain moved in the slow lane when I was seated in front of a keyboard. That's why I use two fingers and a thumb. The thumb hits that long thing at the bottom which I believe is called a space bar. Don't quote me on that.
Even during my newspaper days I used two fingers. With deadline at hand those two fingers were flying. So was the trusty right thumb. Most reporters were touch typists so I sometimes wondered if they had fast-lane brains. When my copy was all filed I'd watch someone else. This was most annoying for them if they happened to look up and found my nose a few inches from their keyboard.
My conclusion: they paused to think, then typed their thoughts. My two fingers seldom paused. Those fingers were moving as fast as my brain, or any brain, could put words together. That meant the two fingers worked just as well as two hands. In the end it all came out even.
This, of course, does not include the hunt-and-peck people. Few things are more painful than watching a cop type a report, pausing every few seconds to stare at the keyboard in hope that somewhere on it is the letter G.
So there you have it, the answer to a question that has puzzled even the smartest people down through the ages. All a writer needs are two fingers and one thumb. Aside from a hammer and chisel, paper and pencil, or a typewriter or computer, of course.
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